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The perfect choice even in extreme conditions

Kajetan Konieczny

Photographer from Poland

AF 85mm F1.4 RF -
The perfect choice
even in extreme
conditions

zoom

My name is Kajetan and I am a photographer and a filmmaker
and gear fanatic that I could talk about for hours,

When samyang offered to test the lenses, I wanted to take him with me to various places to test he would be able to handle the photography I’m used to, as the wedding
season hasn’t started yet. The morning in the nearby woods was the perfect opportunity for the first tests, as the first snow was to fall, I knew it would be a perfect
opportunity to catch it in bokeh. Thanks to that I will get a great effect. After an early wake-up and morning coffee, I went with my friend to the forest where we had a
small challenge in which he used almost the entire focal range from 18mm to 200mm and I focused on 85, it is one of my favorite focal lengths.

Getting up in the morning for photos is probably the best start of the day, a fresh look at everything about reset is very useful. Already after 30 minutes it started to snow
in the forest but I knew that I had to find a place close to the path so that the branches on which snow is falling will be well lit by cloudy weather which will make a great
softbox. After a few attempts, I was able to take a frame which I am very happy with, I captured exactly how I wanted the snow in the bokeh on 1.4 looks great

zoom
LENSES AF 85mm F1.4 RF
CAMERA Canon
DIAPHRAGM F1.4
SPEED 1/800sec
ISO 640
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Unfortunately, the snow stopped falling quickly, so it’s quiet that I managed to implement the plan. And for the rest of the walk, I didn’t have to feel the pressure or
the disadvantage that would surely stay if I missed that short window. I am also happy with the other frames, but the idea with snow was the initiator of this particular exit.

zoom
LENSES AF 85mm
F1.4 RF
CAMERA Canon
DIAPHRAGM F2.5
SPEED 1/500sec
ISO 800
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES AF 85mm
F1.4 RF
CAMERA Canon
DIAPHRAGM F1.4
SPEED 1/640sec
ISO 800
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Another opportunity turned out to be a survival trip to the mountains with a group of friends advanced in the field, unfortunately we arrived at the place practically before
sunset and we had to hurry and the idea of climbing the cross made it even more difficult. However, it was an amazing adventure.

zoom
LENSES AF 85mm F1.4 RF
CAMERA Canon
DIAPHRAGM F1.4
SPEED 1/400sec
ISO 400
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES AF 85mm
F1.4 RF
CAMERA Canon
DIAPHRAGM F7.1
SPEED 1/200sec
ISO 100
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES AF 85mm
F1.4 RF
CAMERA Canon
DIAPHRAGM F6.3
SPEED 1/200sec
ISO 200
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

To bring the objections to the limit even more, I took him to a hazy city that sparkled with colors, the temperature was -7 and people hurried to their duties, you can calm
this temperature for photos. The fog also gives the city an atmosphere as everything becomes much more mysterious and each street or building has more history.

zoom
LENSES AF 85mm
F1.4 RF
CAMERA Canon
DIAPHRAGM F1.4
SPEED 1/320sec
ISO 2000
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES AF 85mm
F1.4 RF
CAMERA Canon
DIAPHRAGM F1.4
SPEED 1/320sec
ISO 1600
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

My favorite method of testing
the lens to take to extreme conditions
where in these times when
the equipment is almost great you
can really see the advantage of
one over the other,

the Samyang 85 turned out to be the perfect choice thanks to the 1.4 light
I could easily go down to 1/160 sec to keep the rule exposure time without
going to high ISO so I could concentrate on looking for frames and not
combining how to get a great quality picture.This lens did it for me,
a lot of people paid attention to the 85rf camera it looks great with Canon eos r
soon the next adventure is coming and there will definitely be 85 rv lenses,
one lenses that you simply need to have, such as a 35 mm lens and practicality,
such a focal length with such a light will always be useful under all conditions.

zoom
LENSES AF 85mm F1.4 RF
CAMERA Canon
DIAPHRAGM F1.4
SPEED 1/400sec
ISO 1600
EXPOSURE Multi-segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to shoot easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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