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XEEN CF Cine Prime Lens Lineup Completed with Addition of 2 New Focal Lengths

2020-02-18

XEEN CF Cine Prime Lens Lineup Completed
with Addition of 2 New Focal Lengths
 

February 14th 2020, Seoul, South Korea – Global optics brand Samyang Optics announces the availability of the compact and lightweight XEEN CF 16mm T2.6 and 35mm T1.5 cine primes for PL, Canon EF and Sony E mount, completing the lineup of 5 XEEN CF models. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now offering the primary lens set of 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5.

A Journey to Innovate to Lead Global Filming Trend
After introducing professional cinematography brand XEEN in 2015, the XEEN team had in-depth meetings with cinematographers around the world and discovered rising needs for smaller and lighter equipment. A challenge was that the basic material, steel, has to be changed since there was a limit to reducing the weight. The team found carbon fibre which is used for aerospace, automobiles, and sporting goods for its lightweight and stiffness, but this material is rarely used for precision machinery for its difficulty in molding. “A journey for innovation had begun. Finding carbon fibre required an out-of-box approach, and molding the delicate fibres into a certain shape and size coping with glass elements inside took several months even for R&D designers with decades of experience,” the Product Development Manager recalls. Also, the cost premium of carbon fibre was another challenge to overcome in order to provide the lens for both renowned and aspiring cinematographers.

Winning the iF Design Award for Usability and Design
XEEN CF was introduced in late 2019 as a result of vigorous tests. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels. In February 2020, XEEN CF was awarded by prestigious iF Design Award 2020 for its compact design and usability by integrating robust carbon fibre. Especially, maintaining high image quality for large sensors with compact size was highly recognized. The futuristic lens body design with fibre weave reflecting the creativity of cinematographers was also applauded for its aesthetic. “We are grateful for the recognition of design and practicality by respected iF Design Award. We will continue to innovate and challenge status quo to introduce perfect partner for filmmaking,” stated by Product Development Manager.

Compact and Flexible for Diverse Filming Situations
XEEN “CF” stands for both “Carbon Fibre” and “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. 

Capture Delicate Emotions in 8K
As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene.

Main Features
1. Bright T1.5 and T2.6 apertures enable filming in low-light situations and give full control over feeling of depth.
2. Compatible with large image sensors (43.3mm image circle).
3. X-Coating provides distinctive look by controlling internal reflection and produces dramatic images.
4. 11 aperture blades create beautiful, circular bokeh.
5. Carbon Fibre in lens barrel delivers light weight and durability.
6. Standard Ø95mm front size is fully compatible with matte boxes.
7. Available in PL, Canon EF and Sony E mount.
8. Luminous paint used for model and distance markings allows effortless use, even in extremely low-light environments
9. Focus and aperture ring locations uniform across all models, with improved gear design and weighting for smooth rotation.
10. Consistent 200-degree wide angle of rotation enables fine focus adjustment.
11. Bidirectional scale on both sides of lens body enables easy verification and operation.

 

More details of the XEEN CF complete prime lens set, in 5 focal lengths, can be found on the XEEN official website and social media channels below. 

- XEEN website: www.xeenglobal.com 
- XEEN Instagram: www.instagram.com/xeenglobal 
- XEEN Facebook: www.facebook.com/xeenglobal 


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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

표준화각 자료 이미지
표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to shoot easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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