PRODUCT REVIEW

XP 35mm F1.2

It is time for another Review of SAMYANGS great manual focus XP lens series! Stephan Forstmann 2018-12-17
Review: Samyang XP 35mm F1.2



 

 

 

It is time for another Review of SAMYANG’S great manual focus XP lens series! Let’s have a closer look at the new SAMYANG XP 35mm F1.2 lens for Canon DSLR-Cameras.
I’ve taken photos for 2 years now with a 35mm lens at weddings and I can tell you that this focal length is one of the most versatile ones when compared to other primes. Portraits, landscape, documentary, street or even astrophotography are perfect to do with a 35mm lens. Also, 35mm lenses are excellent if you want to get a cinematic and more dramatic look in your photos.
I was very thrilled when SAMYANG told me that a 35mm F1.2 lens was added to the XP series!
As always: I don’t take any pictures of test charts nor do I become crazy about vignetting (as it is easily corrected in post production and natural vignetting can even improve a photograph). I use lenses in real life and I fill my camera bag with lenses that have proven themselves worthy in practice and deliver uncompromisingly. I put special value on sharpness at wide apertures and especially look at beautiful bokeh.



Look and feel

 
It's  no surprise that the Samyang XP 35mm F1.2 comes in the same cool design of the XP lens series. As on the other XP lenses, you can feel how much craftsmanship Samyang has put into the lens. This premium lens comes with premium haptics – a nice aluminium-body is wrapped around all the high-end glass components of that lens. All this is accompanied by a very smooth running focus ring, so you can focus easily and very precisely.
 




 
As with the other XP lenses, this lens is manual focus only, so you’ll need good eyes, and maybe a high precision focus screen or liveview to achieve critical focus at F1.2 on a DSLR. If you adapt the SAMYANG XP 35mm F1.2 on a Sony MILC, I'd say that you will literally have an easy mode on focussing. Focus peaking helps a lot and will improve your focussing speed by a huge amount!
The SAMYANG XP 35mm F1.2 has an inbuilt autofocus confirmation chip, which helps focussing with Canon DSLRs. The aperture is also controlled electronically. EXIF Data is  available on your photographs too when shooting with the XP 35mm lens.
 

At approximately 1200 g, the XP 35mm F1.2 is quite big and heavy. That’s good and bad at the same time because carrying a lot of weight is always harder, but on the other hand, weight stabilizes your posture when you are taking photos.
Compared to other 35mm lenses with wide apertures (1.4 or 1.8.) there is quite a difference in weight (approx.  50-60%). 



Optical performance

Sharpness and bokeh. This is what the XP series is all about. I own quite a collection of extremely sharp and wide open lenses. Of the lot, the Samyang XP 50mm F1.2 is currently the sharpest lens I own. So I was wondering if the 35mm XP can beat the 50mm XP in terms of sharpness.


 

 

 Sharpness and detail visible on the globe showing Australia

After a lot of photos taken with the 35mm XP, I must say that the 50mm XP still remains the king of sharpness in my collection. But sharpness is on a excellent level at F1.2 and improves to extreme sharpness when stopped down just a bit. Just see my aperture series I shot with the lens further down in my review.
 




A portrait of myself made with the Samyang XP 35mm @ F2.2 using a 5D Mark II and window lighting only.





 
Sadly, I missed focus slightly in this photo. But it still is a great image, thanks to the cool look the 35mm lens produces!

What about corners? I am really impressed with corner sharpness on the 35mm XP! Yep, it’s awesome. It beats the Sigma 35mm 1.4 Art’s corners entirely.  You can create awesome photographs at F1.2 with a unique look!


 

 

 The Samyang XP 35mm is an extremely sharp lens – even at F1.2
ISO 100, 1/8000, F1.2 on a Canon 5D Mark II


The lens is so tack sharp, that you can see details of the vineyards when zoomed in. You can also see how sharp the birds are at the image above taken at F1.2 when zoomed in to 100%. I shot the above image without a tripod on the 5D Mark II at 1/8000 of a second.
 


F1.2
 





F1.2
 





F5.6




 
F1.2




 
F1.2




 
F8



What about colors? The colors this lens produces are so easy to fall in love with. No greenish nor purple-ish tint. Everything looks very real.


 


A leaf in the vineyards – showing the awesome colors and bokeh the Samyang XP 35mm 1.2 provides
 



The background blur ist great, while colors remain very crisp!



The bokeh is very dreamy and soft. However if you boost contrast and clarity to maximum in post, you’ll see some “onion-rings” in it.
The 35mm XP lens has some barrel distortion when shot at F1.2. It is visible if you take a picture of tiles or textures with lines. But it isn’t as bad as on other wide angle lenses.




Aperture series
On the next images I went through the whole range of apertures with this lens, so you can see sharpness and vignetting by yourself.
 




F1.2



 

F1.4
 




F2
 




F2.8
 




F4
 





F5.6




 
F8
 




F11
 





F16


As you see in the images at  F2.8, vignetting disappears completely . You will find some  chromatic aberrations at F1.2 in extremely bright areas. But that’s something that can be removed with just a few clicks in post production in Lightroom.
Sharpness gets a boost at F1.4 but even F1.2 is so sharp, that I really can’t complain. Minimum focus distance is 34 cm which doesn’t give the lens any macro use, but it isn’t made for that purpose anyway.



Manual focus

As on the other XP series lenses you will notice that this is a manual focus lens only. So this lens is used best in controlled situations. That means it is for steady subjects. I wouldn’t recommend it for sports – except if you shoot a chess duel – well then it’s okay for sports too. =)
But for portraits, landscapes, steady couple shots and even astrophotography, I wouldn’t matter about the manual focus as the inbuilt AF confirmation helps a lot.
I’ve taken some great photos with all of my XP lenses at F1.2. It may take some practice on Canon DSLRs – but is totally doable! I recommend using a manual-focus matte-screen, 10 times magnification in liveview, and maybe a display-loupe. Or use focus peaking on a Sony A7 III or A9 MILC to get the focus faster, a feature I really miss on my Canon gear. =/


Conclusion

The SAMYANG XP 35mm is an awesome, fast lens with great sharpness and bokeh. You should be aware that this lens will give the best results in in a controlled environment in terms of achieving critical focus. Also, there is some slight barrel distortion when used wide open which may be a letdown for architecture-photographers.
It may be best used in portrait, studio, landscape, astro, and food-photography. Used with high precision and good eyes, this lens will definitely deliver great images. I especially love the colors this lens renders!

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

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1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
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5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
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1D
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DSLR / APS-S
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7D
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60D
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D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
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D810
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Df
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D3s
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DSLR / APS-C
D7500
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D300s
D300
DSLR / Full Frame
Z6
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D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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