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SAMYANG MF 14mm F2.8 MK2

Nicolas Wauters

Photographer from Belgium

The Wide World in a Wide Angle:

A few weeks ago, I received the MF 14mm F2.8 MK2 from Samyang.
I’d like to share my experiences of this new version of the MF 14mm F2.8 over the last few weeks.

First and foremost, this is not my first Samyang lens.
I've been using Samyang MF 24mm F3.5 Tilt/Shift lens and I’m really fell in love with this amazing lens, now I became a big fan of Samyang.

zoom

Build Quality:

The build quality is amazing, made with metal, and very well finished. Some people believe third party lenses are not good, but Samyang’s MF 14mm F2.8 MK2 looks neat and pleasant to hold in hand. The focus ring is comfortable. You may need to try several times, in the beginning, to make focus from 0.28m to infinity, but things go much faster when you’re used to it. I also like this lens’s look and colors as a Nikon camera user, because it looks a little bit old-school with the black and gold. It would be the new trend these days. Good to know, the MF 14mm MK2 Nikon F mount lens features an electronic chip, allows you to control the aperture from the body and see the EXIF data on your Lightroom, however, keep in mind to close your aperture at F22. The whole lens feels very solid, and the build quality and details are great, especially when considering the price. It could be the good option on the market!

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Improvements:

There are two big novelties on this Mark2 lens. The first one is the “Focus Lock” in front of the lens, which can be very useful for night photography or astrophotography. The second one is the “De-click”, which allows infinitely fine adjustment between F-stops. By rotating the silver ring from 'Click' to 'Free', you can adjust the aperture smoothly and precisely, and the exactly right amount of light is captured. Videographers should be delighted for this option allowing a soft and unmarked light transition.

zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F11
SPEED 20 sec
ISO 64
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F2.8
SPEED 1/40 sec
ISO 1250
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Performance:

During my first try with this ultra-wide-angle in the heart of Tokyo city, I noticed that it is easy to handle. The precision of the focusing ring is well balanced and I directly thought that it’d be great for taking pictures requiring more precision.

Using a 14mm for landscapes or urban photography is a pleasant exercise, especially for capturing portions close to the ground in horizontal format, which enables fairly creative framing and compositions, quickly and simply. On a full frame camera it’s so wide that you might be surprised to see your shadow or even your feet in the frame.

zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F14
SPEED 30 sec
ISO 80
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Moreover, using a fixed focal lens
gives a real photography feeling.

It’s easy to zoom in or zoom out when using a zoom lens, but sometimes it can take away the pleasure of composing the image. But on a fixed focal lens, you have to move backwards and forwards to compose better images, and it enhances the pleasure of photographing! Also, the 2.8 aperture allows you to create better night street photography. The chromatic aberrations are slightly present at a wide aperture but will strongly disappear if close your diaphragm.

This is the perfect dream lens for Landscapes!

zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F9
SPEED 1/80 sec
ISO 64
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Image Quality:

At f / 2.8, images are relatively well-defined over the entire field photographed. The center of the image is a bit sharper, but the difference with the edges is rather minimal.

The vignetting is well marked, mainly on the left and right parts of the field. However, it can be easily corrected on post-processing software like Lightroom or Photoshop (and most other).

At f / 4, the change in image quality is subtle, but very real nonetheless. The vignetting is much less marked than at f / 2.8, but there is still dark, vertical areas on the left and right side of the field. Chromatic aberrations become very difficult to observe, or even negligible. From f/5.6 to f/11 the lens gives its best on image quality and you will be blown away by the image quality.

Also, keep in mind that this 14mm F2.8 remains an ultra-wide-angle, not a fisheye. The distortion often appears on these kinds of lenses, but it’s very easy to correct in post-production.

zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F10
SPEED 1/25 sec
ISO 64
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F7.1
SPEED 6 sec
ISO 80
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F7.1
SPEED 6 sec
ISO 80
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Butt you can also use this wide angle effect for making your subject look more grandeur. This, therefore, offers several possibilities! It just depends on your style and taste.

zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F9.0
SPEED 25 sec
ISO 80
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F8.0
SPEED 25 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Conclusion:

In conclusion, this lens definitely became one of the main lenses in my backpack, and I bring this on all my trips or workshops. The image quality is amazing and allows you to do many kinds of photography such as landscape, urbanscape, real estate, astrophotography and even more. It makes this lens very versatile. It can be used on the architecture shot or the city shot, and would be a dream lens for Astrophotography. Here are some sample pictures, hoping to show you the quality of this Samyang MF 14mm F2.8 MK2, and the beauty of Japan as well!

zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F8.0
SPEED 6 sec
ISO 64
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F8.0
SPEED 20 sec
ISO 64
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F7.1
SPEED 1/125 sec
ISO 64
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES MF 14mm
F2.8 MK2
CAMERA Nikon D850
DIAPHRAGM F5.6
SPEED 1/50 sec
ISO 500
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Nicolas Wauters

I’m a Belgian Landscapes and Urbanscapes photographer based in Tokyo.
I love photos of landscapes, urban landscapes, architecture, and night streets.
I’m passionate of sharing my love for photography
and the city I live in with images.

www.nicolaswauters.com

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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