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Unseen sides of Bangkok

Cedric Arnold

Photographer from England

Bangkok never bores me visually,
there’s always something that seemed familiar ready to
surprise you and offer itself to you in a different way.

This is probably partly because I have used and continue to use every possible kind of format to document this city of extreemes,
from large format to panoramic, 6x6, polaroid and 35mm trying something new is always of interest to experiment and find new perspectives.

After documenting my neighbourhood with a 14mm lens last time around and seeing things completely differently,
way wider than I had ever before, it was time to try my hand at documenting life in a favourite little cluster of Chinatown with a TSE lens this time.

zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/400 sec
ISO 100
EXPOSURE Normal
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/200 sec
ISO 800
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

I’ve used large format cameras
for many years and am familiar with
camera movements from a bellows system to
shot architecture and create special affects.

zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/250 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

I find using a 4x5 camera to be a very enjoyably slow and almost meditative process that is the antidote to the fast paced shooting of my assignment work, where speed is of the essence.

I had actually never used a TSE lens prior to this project and after taking the lens out for a first walk quickly wondered if I had gone completely mad to venture out to shoot street scenes, documentary style with such a lens!

This definitely had to be the hardest lens ever to use for street photography, due to the need for precise focus when tilting and also how that effects the metering. I can see why one uses the TSE lenses for a slower type of photography. I had to accept that many images that I usually capture very fast would not really be possible this time and I had to take my time.

This forced me to slow down and take a look at the neighbourhood in different ways. I wanted to play more with texture and contrast so I opted for monochrome this time looking for interesting ways to isolate elements. This is very much a return to my roots here. As colourful as Bangkok is I have always, ever since my first visit in 1999 been attracted to documenting it in black and white, especially in more “gritty” areas of the city, where texture stands out so much more than colour.

zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/50 sec
ISO 2500
EXPOSURE Multi-Segment
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

I spent a lot of time walking in the small streets and alleyways of Talat Noi, an area between the Chao Praya river and Bangkok’s Chaorenkrung road.

It’s a fascinating area loaded with history.

zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/4000 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Charoenkrung road was originally
built in the 1860’s upon request of
foreign consuls to connect embassies
and riverside trading companies to
Bangkok’s city centre.

The road, then known as Thanon Mai (new road) was for many years the capital’s main thoroughfare. In the 1890’s a tram line was introduced, which was eventually decommissioned in 1963. As business interests shifted to other areas of the city, Charoen Krung saw a decline in activity and many buildings were left unused.

While the neighbourhood is going through many changes the side streets are as authentic as ever and full fascinating activity. Walks through Talad Noi’s little alleyways turn into adventures through a time warp, so incredibly far removed from the noise and bustle of Sukhumvit.

And for me these walks always turn into conversations with locals, market vendors, street food vendors, monks from the many local temples and metal workshop workers too, many of whom I know personally now after chatting so many times. This is a big part or what makes the area so fascinating, old traditional shop houses in every little street are filled with car parts, from old chassis to whole engines to engine parts, huge piles of break pads, bolds and everything that can possibly be salvaged, all being repurposed or collected for the value of the metals. Sparks fly everywhere in the shop houses as workers polish and solder parts together. The smell of engine oil is everywhere in the small alleys. Busy, strong workers carry heavy engine parts from one end of the street to another, as tuk tuks, motorbikes and cars all squeeze through the narrow streets.

zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/80 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/160 sec
ISO 640
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.28
SPEED 1/250 sec
ISO 640
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/640 sec
ISO 500
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Early in the mornings, monks converge towards the local market
to get their morning alms as parents in a rush shuttle their children on motorbikes
to the local school, picking up street food snacks on the way.

The neighbourhood’s rich history its old shrines, houses and warehouses also give off a kind of magical almost eerie feeling at times, strange little altars and shrines are often found in quiet corners, offerings of sodas and plates of food left to keep evil spirits at bay. Because of the mixed history of the area, Chinese and Therevada Buddhist spiritual traditions are felt everywhere, each Chinese house having an ancestor shrine inside. Behind a row of shop houses away fro the noise of the busy main street, a stone Buddha statue sits high up in a scared banyan tree between abandoned car and a small cluster of slum houses by the river, as if watching over the local residents.

zoom
LENSES XP 14mm F2.4
CAMERA EOS 5D Mark Ⅲ
DIAPHRAGM F1.0
SPEED 1/50 sec
ISO 1000
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Nearby a tattooed local metal worker takes a break overheated from all the heavy work, he tells me his story, he’s from Isaan the North Eastern part of Thailand, and came to Bangkok as a teenager seeking work. “It’s hard work but there’s a great gang of people here, when we’re done with our work, we have drinks by the river in the evening.”

This sort of atmosphere soothes me and the quiet moments of walking around in these neighbourhoods are my way to escape Bangkok’s hectic pace, this city of extremes.

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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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