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Samyang Adds New 135mm to VDSLR MK2 Series, Expanding its Cine Lens Lineup

2021-10-28

Samyang Adds New 135mm to VDSLR MK2 Series,
Expanding its Cine Lens Lineup

October 28th 2021, Seoul, South Korea – Global optics brand Samyang Optics adds the new 135mm focal length to its existing VDSLR MK2 series. Introduced in August 2020, the VDSLR MK2 series is a compact, entry-point cine lens range, enhanced with new features. The MK2 set now comprises 6 of the most-used focal lengths: 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5 and 135mm T2.2. Fast T-stop values, beloved image quality and enhanced user-friendly features come in 6 different mounts such as Canon EF and Sony E, with full frame coverage.
 
Expansion of Compact Cine Lens Set with 6 Most Used Focal Lengths
Inheriting the renowned image quality of the original Samyang VDSLR series, the updated MK2 series is developed to be the foundational cine lens set for filmmakers. Samyang pioneered the entry-point cine lens lineup by launching its VDSLR range back in 2014 and it has been a staple set for independent filmmakers and low-budget project directors to broaden their horizons of creativity. During those 6 years, Samyang has worked in partnership with the market and introduced the updated VDSLR MK2 series, with useful new features.

[ Main Features ]
Compact Professional Cine Lens Covering Full Frame Sensor Size 
The compact size of Samyang's VDSLR lenses makes them perfect for hand-holding and gimbal shooting. The new VDSLR 135mm T2.2 MK2 is only 12.2cm in length and weighs just 866.4g. In contrast to their compact size, the VDSLR MK2 lenses cover full frame sensors (36x24mm) and are ready for the high-quality video making environment. 

Most Popular Focal Lengths - Available in 6 Different Mounts
The VDSLR MK2 range now has 6 focal lengths: 14mm, 24mm, 35mm, 50mm, 85mm and 135mm. These are the essential and most popular focal lengths for any creative or commercial projects. All 6 lenses are available and fully compatible with 6 different mounts: Canon EF, Sony E, Nikon F, Canon M, Fuji X and MFT. They are suitable for both DSLR and mirrorless systems and ready to support all types of filmmakers around the globe. 

Long Focus Throw and De-Clicked Aperture Ring
Even though the VDSLR MK2 series is compact in size, it is fully-featured, with de-clicked aperture and focus gear rings. The long focus throw of over 130° enables cinematographers to focus precisely on their subjects, creating a more professional feel to video footage than with autofocus photo lenses.

Fast Aperture for Low-Light Situations
For independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across 24mm, 35mm, 50mm to 85mm, T3.1 for 14mm and T2.2 for the new 135mm. This benefits filmmakers and allows them to concentrate more on the scene and creativity, without having to concern themselves about image quality, even in low-light situations. Also, the shallow depth of field available blurs out the background and highlights the subject, adding depth to the story.




New Feature #1: Weather Sealing
The new VDSLR MK2 series includes a weather-sealing feature to protect the most vulnerable gap between the lens and camera mount and prevent dust, light rain and snow from penetrating. It provides the ability to capture stunning images in less than perfect conditions.

New Feature #2: 9 Aperture Blades for exceptional Bokeh and Starburst effects
This series is updated with 9 aperture blades across all 6 focal lengths, to provide unified smooth and circular bokeh. It adds a three dimensional quality and pleasing effect to out-of-focus backgrounds. 18-ray starburst highlights can also be created by stopping down to small apertures.

New Feature #3: Updated design with Side Scales
The Samyang VDSLR MK2 models have a sleek new design: Black and matte finish boosts usability and professionalism on the set. They are lightweight but sturdy and fully equipped for numerous projects. The distance scales are readable from both sides, as are the focal lengths. These features support focus pullers and assistant cinematographers to operate more intuitively.
More detailed information about the NEW VDSLR 135mm T2.2 MK2 can be found on the Samyang Optics official site and social media channels below:

* Samyang Website : http://www.samyanglens.com


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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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