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SAMYANG Launches its First Zoom Lens: AF 24-70mm F2.8 FE

2021-10-19

SAMYANG Launches its First Zoom Lens : AF 24-70mm F2.8 FE

A wide-angle to short telephoto lens designed for E-mount mirrorless cameras


 

October 19, 2021, Seoul, South Korea: Samyang Optics (CEO Hwang Choong-hyun), a global optical brand, announces the E-mount standard zoom lens AF 24-70mm F2.8 FE, designed for E-mount 35mm full-frame and APS-C mirrorless cameras.



Samyang Optics' first zoom lens

This year, Samyang Optics is celebrating the 50th year since its foundation and is marking the landmark occasion with its first ever Zoom model.

Originally a manual focus lens specialist, Samyang expanded its lineup to include autofocus models during 2016, whilst celebrating its 45th anniversary. 

After 5 years of in-depth research and communication with customers, Samyang has now decided to take a step closer to the mass market and meet more photographers’ needs, 

with the launch of an all-in-one Zoom.

Lens standards are constantly changing and Samyang is launching this AF 24-70mm F2.8 FE lens as the most versatile and universal lens of all time. 

Some may consider that the market is filled with similar focal lengths already, however Samyang has taken additional steps to innovate:

It has developed an all-in-one zoom lens, suitable for taking outstanding still images as well as video and added several features, optimised for video shooting, to a photo zoom lens.

This effectively captures the trend change of users who need the flexibility of not only photography but also video shooting.

In addition to a zoom lens that reflects consumer needs for video shooting and video-specialised functions, Samyang exclusive accessories allow users to further enjoy functions available on existing professional Cine lenses with this new Samyang zoom lens.



AF 24-70mm F2.8 FE Key Features

Features optimised for video shooting

1) Par-Focal : This function maintains focus on the subject when zooming in and out. It is a feature optimised for video shooting and normally seen on very expensive cine zoom lenses.

2) Cinematic Video AF : As the AF speed is carefully controlled during video recording, focus wobble is reduced, so very stable video recording is possible.

3) Linear MF Focus Control : Provides convenience to video shooters by matching the torque of the focus ring as closely as possible to that of a manual focus lens when shooting video in manual mode.

4) Cine Kit : A Samyang ‘Cine Kit’, consisting of focus gearing, follow focus and tripod mount, is available separately. This allows system exchange at the same time as lens change (with small configuration), so manoeuvrability is very good. In addition, a mount kit and follow focus are provided, allowing essential elements of video shooting at the same time.



Excellent resolution in all areas of the image

This zoom lens delivers a 24-70mm (wide-angle to short-telephoto) angle of view and a bright maximum aperture of F2.8 throughout the entire zoom range, as preferred by full-frame camera users.

In particular, optimum resolution is achieved through the optical design of 17 elements in 14 groups (2 ASP, 1 H-ASP, 3 HR and 3 ED). 

Combined with Sony's full-frame image sensor, this zoom lens delivers superior sharpness and contrast in all areas of the image.



Impressive background blur and bokeh with bright F2.8 aperture

The AF 24-70mm F2.8 FE zoom uses a large-diameter aperture to provide smooth background blur. 

It effectively separates the subject from the background, using a shallow depth of field to capture a unique image of an ultra-wide angle in which the background is compressed. 

The 9 diaphragm blades create smooth and natural bokeh with light splitting.



Enhanced usability with custom switch

There is a custom switch, which can be set allow adjustment of the aperture by rotating the focus ring. Using the optional Lens Station, you can setup the mode to suit your own preference.

* More functions will be added through firmware updates in the future



Fast and quiet AF performance

Tracking the subject accurately and quickly, the AF also operates quietly and smoothly when shooting video.

Samyang's Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the larger and heavier focusing lens groups which occur in zoom lenses.



Short minimum focal distance

The minimum focal distance is just 35cm, so it is versatile and possible to produce a unique perspective close to the subject.

It makes it easier to take portraits with exaggerated features, food on tables and interior shots in narrow spaces.



Weather-Sealing design

The usability of the AF 24-70mm F2.8 FE lens has been developed and enhanced, taking into consideration not only the design but also the user's shooting environment. 

It has a micro-patterned rubber focus ring, so feels great to operate and weather-sealing also protects the lens from light rain, snow and dust.


 


 

Lens Images

   






Lens Specifications


 


 

Lens Constructions

 

 

Detailed information on the AF 24-70mm F2.8 FE lens, introduced for the first time by Samyang Optics, can be found on the Samyang Optics official website and social media channels below.

 

* Website : http://www.samyanglens.com 

* Facebook : https://www.facebook.com/samyanglensglobal

* Instagram : http://www.instagram.com/samyanglensglobal

* YouTube : https://www.youtube.com/samyanglens


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森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

什么是预设光圈功能?

在预设光圈功能中,光圈可以像”控制环操作音消除(De-click)镜头“一样丝滑驱动,为视频拍摄提供支持。

富士相机的设计根据最小曝光量(F-stop)控制光圈,当相机控制光圈时,会依靠短暂闪烁来调节曝光。而AF 75mm F1.8 X不会向机身传送光圈信息,这种刻意的“预设光圈功能”无需闪烁就可让平滑的曝光调节变为可能。只需控制光圈就可以使ISO和快门速度适应不同的曝光环境,因此即使采用1/2 F-stop也依然可以调节曝光。

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

有哪些预设光圈功能的使用建议?

预设光圈功能仅能在视频拍摄模式下运行。 建议在f/1.8光圈和A、M曝光模式下使用该功能。有关“预设光圈功能”的使用建议请参考上表。

* 预设光圈功能的使用方法

1) 设置相机机身
      AF模式 → 视频拍摄模式(“A”或“M”模式)→ 光圈值固定在f/1.8
(2) AF 75mm F1.8 X镜头设置
      将“自定义开关”切换为“模式2(M2)”
(3) 使用对焦环调整预设光圈

Dolly shot是什么?介绍摄影办法

[Dolly Shot是什么?]

一般利用带轮子的车,根据调整相机变焦的速度前后移动拍摄的技术。这导致被摄体和背景的倍率差异,从而将梦幻效应记录在视频中。

[简单用手持拍Dolly shot的方法]

Tip.如果移动距离长,相机可能会晃动,请在35~100mm区间拍摄。
1.距离被摄体约1.5~2m左右。
2.将自定义开关切换到MF和Mode3后,将视角设定在100mm左右。
3.通过调节对焦环聚焦被摄物,然后将光圈设置为F8~16。
4.利用上身和手臂,将相机靠近被摄体,将变焦操作慢慢向左(广角方向)转动。
5. 完成Dolly shot!
※在与拍摄对象更远的距离拍摄时,使用卡丁车或万向稳定器等,可以更稳定地进行拍摄。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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